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Un Tarro

Rueda de casino horn-gesture call

RuedaLevel: Beginner1 min read2 citations

Un Tarro is a compact rueda de casino figure: a caller-led Cuban casino action performed simultaneously by couples in a circular formation, consistent with rueda’s call-and-response structure.[1] The base form is usually treated as an enchufla-family action with a playful “one horn” accent: both partners break away from each other on count 1, the follower is led into a left, counter-clockwise reorientation across counts 2-3, and the leader stages the connected arm or free hand near the head as the tarro image rather than adding a separate turn. On counts 5-6-7 the pair re-forms the rueda relationship, commonly returning to guapea or continuing into the next called change. Rueda de casino is traced to Havana’s Club Casino Deportivo milieu in the mid-1950s, so the figure belongs to a Cuban call vocabulary rather than to the fixed slot terminology of New York or Los Angeles salsa.[2] The call is best documented in practice as a Spanish-name rueda item; outside Cuban and Miami-linked rueda scenes, dancers generally retain the Spanish call or do not use a distinct local name.

How it's danced

Lead and follow cues

CountCuban rueda On1 phrasing: one break per measure, on 1 and 5. First half 1-2-3: shared back break on 1, enchufla-family reorientation and tarro accent on 2-3. Second half 5-6-7: second break and recovery into guapea or the caller's next linked action.

Lead

On 1 the leader breaks back on the left while maintaining the rueda hand connection. On 2-3 he redirects the follower through an enchufla-like left, counter-clockwise reorientation while staying compact in the circle. During the 1-2-3 half he shapes the connected arm or free hand near the head as the single tarro accent without pulling the follower off balance. On 5-6-7 he restores the open guapea relationship or completes the called resolution, matching the follower's count-7 landing.

Follow

On 1 the follower breaks back on the right, away from the leader. On 2-3 she follows the lead into a left, counter-clockwise reorientation, turning in stages rather than snapping at the end: approximately a quarter turn into the exchange, then enough rotation to face the leader again as the figure resolves. On 5-6-7 she steps out cleanly to the next guapea or called position, landing with the leader on count 7.

Song timingFits Cuban rueda social tempos around 150-185 bpm; above about 190 bpm the gesture should stay small so the circle remains synchronized. The card assumes On1 casino/rueda phrasing with breaks on 1 and 5.

Learn first

Prerequisites

  • Guapea timing
  • Basic enchufla lead and follow
  • Comfort maintaining compact rueda spacing
  • Clear light hand connection

Watch out

Common mistakes

  • Treating the tarro accent as a forceful arm crank instead of a brief visual shape.
  • Having the follower step forward on count 1; the follower breaks back on the right on 1, then travels or turns on the later counts.
  • Adding an extra break inside the same measure instead of keeping one break on 1 and one on 5.
  • Letting the horn gesture delay the count-7 recovery.
  • Over-enlarging the figure so it disturbs the neighboring couples in the rueda.

Don't confuse with

Easily confused moves

  • Sombrero: a different Cuban casino figure with a two-hand wrap/hat-like ending.
  • Enchufla: the related base action, but without the tarro head/arm accent.
  • Cross-body lead: a slot-salsa traveling exchange, not the circular rueda frame of this call.
  • Paso cruzado or cruzado: footwork terms, not regional names for this figure.

Around the world

Other names

  • Cuba / Cuban rueda

    Un Tarro

    Spanish call name; literally evokes a single horn.

  • Miami Cuban rueda

    Un Tarro

    Commonly retained as the Spanish rueda call rather than translated.

  • International Cuban-style rueda classes

    Un Tarro

    Usually taught under the Spanish call name.

References

  1. 1.oudancesport.co.uk
  2. 2.danceintime.com

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Un Tarro. Bailar Biblioteca. Retrieved July 4, 2026, from https://getbailar.com/biblioteca/move/rueda-un-tarro

MLA

Bailar Editorial Team. “Un Tarro.” Bailar Biblioteca, 2026, getbailar.com/biblioteca/move/rueda-un-tarro. Accessed 4 July 2026.

Chicago

Bailar Editorial Team. “Un Tarro.” Bailar Biblioteca. Accessed July 4, 2026. https://getbailar.com/biblioteca/move/rueda-un-tarro.

BibTeX

@misc{bailar-move-rueda-un-tarro, author = {{Bailar Editorial Team}}, title = {{Un Tarro}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://getbailar.com/biblioteca/move/rueda-un-tarro}, note = {Accessed: 2026-07-04} }

Editor-in-Chief: Paul Thomas Plawin

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