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Redonda

Son circular partner figure

SonLevel: Beginner1 min read2 citations

Redonda is entered here as a provisional son move-glossary headword because the supplied source set does not document a dance figure under this name; the available snippets instead point to the Caribbean island Redonda and unrelated homonyms.[1] In dance usage, the term is best handled cautiously as a Spanish descriptive name, literally suggesting roundness, for a compact circular partner action rather than as evidence of a widely standardized international syllabus term.[2] The figure is not a linear slot exchange: leader and follower maintain mirrored son footwork, break once per measure, and use the joined frame to redirect shared orientation around a small circle. Over two measures the couple may rotate in stages, opening approximately a quarter turn on the first half and completing a further quarter to half turn on the second, depending on local teaching. Because the available evidence does not establish regional aliases, the name-variant table records attested absence rather than fabricated translations.

How it's danced

Lead and follow cues

CountSon / contratiempo: two-measure phrase counted 1-2-3-4, 5-6-7-8, with breaks on 2 and 6. Counts 1 and 5 are preparation or weight-settle counts; 4 and 8 may be held, tapped, or marked according to local son practice.

Lead

In closed or light open son frame, keep the basic son timing and initiate a small circular pathway through the torso and joined frame. Break back on the leader's left on 2, replace on 3, collect or mark on 4; on 6-7 guide the couple through the next arc without pulling the follower across a slot. Rotation is staged: about one quarter turn during the first measure, then another quarter to half turn during the second, according to space and phrase.

Follow

Maintain mirrored son timing and follow the circular redirection through the frame. Break back on the follower's right on 2, replace on 3, collect or mark on 4; on 6-7 continue the shared curve without converting it into a forward slot walk. Reorientation is gradual: first turning with the leader through a small arc, then completing the next arc to re-set the partnership.

Song timingFits son danced on contratiempo at moderate social tempos, roughly 150-185 bpm; above about 190 bpm the circular action should stay compact.

Learn first

Prerequisites

  • Son basic on contratiempo
  • Closed or light open partner frame
  • Compact circular travel without slot mechanics

Watch out

Common mistakes

  • Turning it into a salsa cross-body lead by sending the follower forward through a fixed slot.
  • Breaking on every half-count or twice per measure instead of once per measure on 2 and 6.
  • Pulling with the arms rather than redirecting through the torso and shared frame.
  • Using a single abrupt half-turn instead of dividing the rotation into staged arcs.

Don't confuse with

Easily confused moves

  • Redonda, the Caribbean island name, is not evidence of the dance figure.
  • Rueda names and calls should not be assumed to be variants of Redonda without scene-specific attestation.
  • Generic translations such as 'round turn' are descriptions, not established regional names.

Around the world

Other names

  • Cuban son

    Redonda

    Spanish descriptive headword used for this card; the supplied sources do not independently attest it.

References

  1. 1.wikipedia.org
  2. 2.wikipedia.org

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Redonda. Bailar Biblioteca. Retrieved July 4, 2026, from https://getbailar.com/biblioteca/move/son-redonda

MLA

Bailar Editorial Team. “Redonda.” Bailar Biblioteca, 2026, getbailar.com/biblioteca/move/son-redonda. Accessed 4 July 2026.

Chicago

Bailar Editorial Team. “Redonda.” Bailar Biblioteca. Accessed July 4, 2026. https://getbailar.com/biblioteca/move/son-redonda.

BibTeX

@misc{bailar-move-son-redonda, author = {{Bailar Editorial Team}}, title = {{Redonda}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://getbailar.com/biblioteca/move/son-redonda}, note = {Accessed: 2026-07-04} }

Editor-in-Chief: Paul Thomas Plawin

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