Copa
Contrôle en enlacement / enveloppement en salsa
SalsaNiveau : En progression2 min de lecture5 citations
La copa est une figure de salsa en pareja dans laquelle le guide attire la partenaire guidée dans une position contrôlée d’« entrée », puis la renvoie vers l’extérieur, créant un changement de direction compact plutôt qu’une pose maintenue.[1] Dans la salsa orientée en ligne, elle commence couramment par un open break, les deux partenaires s’éloignant chacun sur leur propre pied arrière, puis comprimant la conexión lorsque la partenaire guidée est amenée vers l’avant et tournée à gauche dans une brève relation perpendiculaire ou enveloppée par rapport à la ligne.[2] Dans une lecture On1, la première mesure établit le contrôle : le guide recule sur 1, remplace sur 2 et redirige sur 3, tandis que la partenaire guidée recule sur 1, remplace sur 2 et effectue une rotation d’environ un quart de tour à gauche pour entrer dans le contrôle sur 3.[3] La seconde mesure libère le changement de direction emmagasiné : la partenaire guidée sort avec une réorientation progressive vers la droite sur 5-6-7, tandis que le guide dégage l’espace et rétablit la conexión pour faire face à la partenaire guidée sur 7.[4] Le nom est fortement associé à l’histoire de la salsa new-yorkaise et est souvent rattaché à la discothèque Copacabana et à Eddie Torres, tandis que des appellations pédagogiques apparentées comprennent « In and Out », « Sliding Doors », « Peek-a-Boo », « Rainbow », « Left Check », « Left Break » et « Left Progressive ».[5]
Comment ça se danse
Signaux de guidage et de suivi
ComptageOn1 only: one break per measure, on 1 and 5. First measure: 1 open break, 2 replace, 3 follower turns about 90 degrees left into the copa check. Second measure: 5 release, 6 continue travel, 7 settle and re-face; the exit rotation is staged across the second measure rather than whipped at the end.
Guide
On1: from a two-hand or cross-hand connection, the leader breaks back on left on 1, replaces right on 2, and steps slightly aside on 3 while checking the follower into a compact leftward quarter turn. On 5-6-7 the leader releases the compression, clears the slot, and redirects the follower out, re-facing the follower by 7.
Suiveur
On1: the follower breaks back on right on 1, replaces left on 2, and steps forward on right on 3 while rotating about 90 degrees left into the checked or wrapped position. On 5-6-7 the follower accepts the release, travels out through the slot with a staged rightward reorientation, and re-faces the leader by 7.
Temps musicalBest at moderate social salsa tempos around 150-185 bpm, where the check can settle without dragging. Around 190 bpm and above, the figure is possible but the compression and exit must be smaller and less styled.
À apprendre d'abord
Prérequis
- On1 basic step
- Open break
- Two-hand connection
- Follower left quarter turn
- Checked connection without pulling
Attention
Erreurs courantes
- Leading the follower forward on count 1 instead of allowing both partners to break back on their own back foot.
- Treating the check as a static cuddle pose rather than a brief compression before the exit.
- Collapsing the follower's left quarter turn and rightward exit into one abrupt rotation.
- Blocking the slot on 5-6-7 instead of clearing space for the follower's exit.
- Over-pulling the follower into the wrap, which removes the follower's ability to settle weight before being redirected.
- Using an inside-turn label for a clockwise exit without clarifying that the entry is the follower's leftward turn and the release is a separate rightward reorientation.
À ne pas confondre avec
Mouvements faciles à confondre
- Cuddle position: a held sweetheart or side-by-side wrap may appear in variations, but the copa is defined by the checked in-and-out action.
- Cross-body lead: both exchange slot orientation, but the copa interrupts and reverses the follower's path with a check.
- Setenta or enchufla-style casino wraps: these may use wrapped arms, but they are circular casino figures rather than slot-salsa copa mechanics.
- Paso cruzado or cruzado: these Spanish terms usually denote cross-step footwork and should not be used as regional names for Copa.
Autour du monde
Autres noms
New York salsa / mambo
Copa
Associated in the available source with Eddie Torres, the Copacabana nightclub, and New York salsa history.
International salsa instruction
In and Out
Attested alternate school name for the same checked entry-and-exit action.
International salsa instruction
Sliding Doors
Attested alternate school name; may vary by studio vocabulary.
International salsa instruction
Peek-a-Boo
Attested alternate school name, often emphasizing the brief visual reveal created by the check.
International salsa instruction
Rainbow
Attested alternate school name; usually refers to the arm-path styling of a copa family variation.
International salsa instruction
Left Check
Attested alternate school name emphasizing the follower's leftward checked entry.
International salsa instruction
Left Break
Attested alternate school name; not a literal Spanish translation.
International salsa instruction
Left Progressive
Attested alternate school name in the available source.
Los Angeles On1
Copa
Commonly retained as the English/Spanish studio term; the available sources do not support a distinct LA-only name.
Miami salsa
Copa
The available sources do not support a distinct Miami-only name.
Puerto Rico salsa
Copa
The available sources do not support a distinct Puerto Rico-only name.
Références
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Bailar Editorial Team. (2026). Copa. Bailar Biblioteca. Récupéré le July 5, 2026, depuis https://getbailar.com/biblioteca/move/copa
Bailar Editorial Team. “Copa.” Bailar Biblioteca, 2026, getbailar.com/biblioteca/move/copa. Consulté le 5 July 2026.
Bailar Editorial Team. “Copa.” Bailar Biblioteca. Consulté le July 5, 2026. https://getbailar.com/biblioteca/move/copa.
@misc{bailar-move-copa, author = {{Bailar Editorial Team}}, title = {{Copa}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://getbailar.com/biblioteca/move/copa}, note = {Consulté : 2026-07-05} }
Rédacteur en chef : Paul Thomas Plawin
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